REVIEW: ‘African Psycho’ by Alain Mabanckou


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To kill – a verb I have worshipped since coming of age. Fundamentally, all the small jobs I carried out were done in the hope of later being able to conjugate this verb in its most immediate and fully realized form. 

TW: Rape, Misogyny and Violence

I love a good cover and I’ll admit that a good cover is enough to make me read a book and a bad cover is enough to steer me away from a book no matter how critically acclaimed it is. I came across African Psycho at Africa Writes, an African literature festival, where Mabanckou was scheduled to speak. I had heard about Mabanckou but was always distracted by other books so I thought it was only appropriate to buy one of his novels while at the festival. I decided to buy African Psycho because of the beautiful cover and familiar title. My friend had recommended American Psycho but because I’ve focused my reading on people of colour, I was in a bind.

From what I’ve heard about American Psycho I’ve gathered that it’s about a young, wealthy investment banker cum murderer. Throughout the novel, his murders become progressively more complex and gruesome and by the end of the novel, the reader isn’t sure whether these murders are delusions or real. Mabanckou takes this idea and flips it on its head. Mabanckou’s psycho, Grégoire Nakobomayo, is a poor mechanic who doesn’t give a fuck about the way he looks openly admitting that he’s ugly. He does not actually commit a murder due to his obsessive planning even though, all he wants is to live up to his idol, Angoualima a famous serial killer. Continue reading “REVIEW: ‘African Psycho’ by Alain Mabanckou”


REVIEW: ‘Stay with Me’ by Ayobami Adebayo


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Caution: Spoilers

Stay With Me is not revolutionary in style or content but when my mother stayed up until 2am reading it, I knew it would be a good story and in deed it was. Stay With Me tells the story of a young couple, Yejide and Akin, who struggle to have children. After four years of marriage, Yejide is yet to fall pregnant even after several interventions by the woman she calls Moomi, Akin’s mother. Eventually, Akin is ‘forced’ to take a second wife and this marks the beginning of the saga.

The first thing that struck me about the novel is Adebayo’s beautiful, lyrical writing. Stay With Me is one of those books where I found myself underlining sentences on every page because of how beautiful they sounded. The opening sentences: ‘I must leave this city today and come to you. My bags are packed and the empty rooms remind me that I should have left a week ago’, are a perfect example of Adebayo’s stripped back yet effective writing. Personally, I have a notoriously short attention span and enjoy novels most when writers are able to convey what they mean with the least amount of words. Adebayo knows when to extent descriptions and scenes and when to cut them short. In the opening chapter, she allows Yejide to wallow in her suffering but only for two pages, enough to introduce the reader to Yejide’s pain yet keep the integrity and strength of the character.  The novel continues this way, with chapters of different lengths and certain periods during the couple’s relationship repeated. Continue reading “REVIEW: ‘Stay with Me’ by Ayobami Adebayo”