TW: Racism, Violence and Misogyny
First things first, Reni Eddo-Lodge has done the work for us. She’s made a book that people of colour can readily give to all well-meaning white friends and colleagues that want to have a ‘discussion’ about racism. She’s put in all the mental and emotional labour to create a book that covers topics like structural racism, racism within feminism, racial bias in the criminal justice system, white privilege, class, gentrification and police brutality and when you read the book, you’ll see that there are many more themes and issues she discusses that I won’t bother listing for you. I say this book is for well-meaning white people because many people of colour, especially those of us who concern ourselves with race, gender and class, will find that they already know the argument she presents in this book. Even though there were some things discussed that I wasn’t aware of, by and large reading this book was reading and agreeing with what I already knew. However, this is not a weakness. This book is a powerful tool that draws from cultural, political and economic history as well as current affairs in order to show that structural racism is alive and thriving in Britain.
The book is divided into seven chapters: ‘Histories’, ‘The System’, ‘What is White Privilege?’, ‘Fear of a Black Planet’, ‘The Feminist Question’, ‘Race and Class’ and ‘There’s No Justice, There’s Just Us’. Honestly, I found some of these chapters boring and had to plough through them but that is not because of a failure of her writing, but instead because as I said before, I don’t need to be told what white privilege is. At the same time, some chapters really stood out to me. Continue reading “REVIEW: ‘Why I’m No Longer Talking to White People About Race’ by Reni Eddo-Lodge”
To kill – a verb I have worshipped since coming of age. Fundamentally, all the small jobs I carried out were done in the hope of later being able to conjugate this verb in its most immediate and fully realized form.
TW: Rape, Misogyny and Violence
I love a good cover and I’ll admit that a good cover is enough to make me read a book and a bad cover is enough to steer me away from a book no matter how critically acclaimed it is. I came across African Psycho at Africa Writes, an African literature festival, where Mabanckou was scheduled to speak. I had heard about Mabanckou but was always distracted by other books so I thought it was only appropriate to buy one of his novels while at the festival. I decided to buy African Psycho because of the beautiful cover and familiar title. My friend had recommended American Psycho but because I’ve focused my reading on people of colour, I was in a bind.
From what I’ve heard about American Psycho I’ve gathered that it’s about a young, wealthy investment banker cum murderer. Throughout the novel, his murders become progressively more complex and gruesome and by the end of the novel, the reader isn’t sure whether these murders are delusions or real. Mabanckou takes this idea and flips it on its head. Mabanckou’s psycho, Grégoire Nakobomayo, is a poor mechanic who doesn’t give a fuck about the way he looks openly admitting that he’s ugly. He does not actually commit a murder due to his obsessive planning even though, all he wants is to live up to his idol, Angoualima a famous serial killer. Continue reading “REVIEW: ‘African Psycho’ by Alain Mabanckou”
I stumbled on this book while I was handing out flyers for an event in Shoreditch. I spent 15 minutes in Libreria, an independent bookshop in Shoreditch that really is a feast for the eyes. With mirrors on the ceiling and the wall as well as sitting areas built into the bookshelves, you get the illusion that the space goes on forever. I nearly walked into the mirror thinking the bookshop went on into infinity when I saw I Am Not Your Negro from the corner of my eye. I watched the documentary in a small cinema in Edinburgh a few months ago and I was in awe. I had read Baldwin but the documentary of the same name made his work come to life for me. Even though Baldwin was writing decades before now, his ideas and observations are as relevant as ever. Director Raoul Peck explains that the book and the film came as a result of his attempts to make a documentary about Baldwin’s life but when given access to Baldwin’s unpublished works by Gloria Karefa-Smart (Baldwin’s sister) as well as her support and guidance, I Am Not Your Negro was born.
After the deaths of Medgar Evers, Martin Luther King Jr. and Malcolm X, Baldwin was inspired to write Remember This House but never went beyond 30 pages of notes due to his death. The documentary and this book build from Baldwin’s notes. From the start of the book, Peck builds your trust by explaining the process of creating the book. Before I even started reading it, I felt that I could trust his choice of texts as well as his motives and this allowed me to immerse myself in the book without any fear or scepticism. I don’t feel that I, or anyone else for that matter, is worthy to review the James Baldwin because everyone should read Baldwin – his is 5 out of 5 stars in Goodreads speak. Instead, all I can do is give you my thoughts and highlight excerpts that made me think and I must admit, some were just so beautiful to read and I’m not sure I fully understand the complexity found within them. Continue reading “THOUGHTS: ‘I Am Not Your Negro’ from texts by James Baldwin”